COMPOSER
AMY SCURRIA

LIBRETTIST
ZANE CORRIHER

DRAMATURG & DIRECTOR
AMY HUTCHISON

A.L.I.C.E.
AN OPERA FOR EVERYONE

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ALICE follows a curious, imaginative girl who feels out of step with the rigid expectations of the world around her. At a garden tea party, Alice’s vivid inner life collides with social norms, and she is mocked by the guests for her apparent wildness. Alice is distracted from their taunts by a White Rabbit. She follows him into the forest where she falls into Wonderland, a topsy-turvy world with its own inscrutable creatures and customs.
In Wonderland, Alice encounters a series of surprising characters: a condescending Caterpillar who demands definition, a volatile Duchess with a penchant for pepper, playful creatures terrorized by an army of playing cards, a wise and mysterious cat, and an infinitely Mad Tea Party. Alice searches for belonging and meaning in a Wonderland governed by fear, spectacle, whimsy, and nonsense. As Alice journeys deeper into Wonderland she adapts, absorbs, and disappears into the worlds of others, her own voice surfacing only in fragments before slipping away.
Casting a shadow over Wonderland, the tyrant Queen of Hearts humiliates her subjects and demands obedience with constant threats of “off with your head!” Alice empathizes with the terrified populace, and she challenges the Queen’s unjust rules during a game of croquet. When the outraged Queen condemns Alice to a trial for her insubordination, Alice’s fate is seemingly sealed.
Under pressure to submit, Alice finds clarity and the courage to resist the Queen’s arbitrary injustice. Alice refuses the labels imposed on her, and encourages Wonderland itself to awaken. Through courage, humor, wit, and self-knowledge, Alice upends the Queen’s power and affirms a deeper truth: identity cannot be dictated by force - it originates from within. ALICE is about reclaiming individual agency, trusting one’s inner voice, and self-empowerment through imagination and joy.

Opera at the U! performance of A.L.I.C.E.

Opera at the U! performance of A.L.I.C.E.

Opera at the U! performance of A.L.I.C.E.

Opera at the U! performance of A.L.I.C.E.
Audio selections from live performances at University of Utah, Mo. Robert Baldwin, conducting (*Queen's Aria, Mo. Oswaldo Machado, conducting)
Curious, I Observe (Alice)
Meg Steele and Utah Philharmonia
Who Are You? (Alice and Caterpillar)
Meg Steele, John Knight Allen, and Utah Philharmonia
Duchess Scene (Alice and Duchess)
Meg Steele, Sage Madsen, and Utah Philharmonia
Duchess Lullaby (Duchess)
Sage Madsen and Utah Philharmonia
Nonsense Trio (Alice, Mad Hatter, March Hare)
Meg Steele, Alex Harrelson, Matthew Tang, & Utah Phil
Lost and Alone (Alice)
Meg Steele and Utah Philharmonia
You're Not Ready (Cheshire Cat and Alice)
Mara Davis, Meg Steele, and Utah Philharmonia
Queen's Processional (Ensemble)
Opera at the U and Utah Philharmonia
Off With Your Head (Queen)
Karley Swallow and Utah Philharmonia
Keep Your Wits (King)
Porter Hiatt and Utah Philharmonia
The Trial (Mad Hatter)
Sam Plumb and Utah Philharmonia
characters
Alice
Sister & Duchess
White Rabbit
Caterpillar & King
Cheshire Cat
Mad Hatter
March Hare
Dormouse
Queen of Hearts
King of Hearts
Gryffon
Bill the Lizard
Cards / Jury
Flowers
soprano
1-2 mezzo soprano
tenor
1-2 bass baritone
mezzo soprano
tenor
baritone or countertenor
supernumerary
soprano
bass
baritone
supernumerary
SATB choir *min. 4 to a part
children's choir
An Opera in
Two Acts
~ 90 minutes
with intermission
instrumentation
Describe what you offer here. Add a few choice words and a stunning pic to engage your audience and get them to click.
Chamber Orchestra
1,1,1,1; 1,0,0,0; timp, pno, strings
Full Orchestra
2,2,2,2; 4,2,2,1; timp; 3 perc; harp; strings
Electro-Acoustic Ensemble
accordion, electric guitar, keyboard, drumset
Flexible Instrumentation
Just ask!
AWARDS
2024 American Prize
2024 NOA Production Award
GRANTS
2024 Dee Endowment Grant
2024 NC Arts Council Artist Development Grant
PRESENTATIONS
2025 Opera America
2024 NOA
2024 SETC
Performances / Staged Workshops
Chicago Dramatists
June 14, 2025
We held a reading of our libretto at Chicago Dramatists, featuring moments from our opera with piano and voice. We look forward to further developing this opera.
Director, Amy Hutchison
Lawrence University
May 16, 2024
Scenes from A.L.I.C.E.
Music Director, Kristin Roach
Conductor, Ben Keating
Arts of the Albemarle
January 21 & 22, 2022
Fully staged piano/vocal workshop
Music Director, Jennifer Blades
Pianist, Stephanie Otto-Ørvik
Student Director, Christian Abbo
University of Utah Opera
April 12-13, 2024
Three fully staged performances with full orchestra with their first sensory friendly performance.
Director, Robert Breault
Opera at the U Vocal Students
Conductor, Robert Baldwin
Assistant Conductor, Oswaldo Machado
University of Utah Philharmonic
Costume Designer, Robin Farnsley-Becker
Red River Lyric Opera Festival
July 25 & 28, 2023
Two fully staged performances with chamber orchestra.
Producer, Darla Diltz and RRLO
Director, Grace Edgar
Conductor, Kristin Roach
Choreographer, ChristinaNoel Reaves
University of Nevada
December 6, 2024
Scenes from A.L.I.C.E.
Music Director, Darryl Cooper
Pianist, Maren Daynes
Student Director, Christian Abbo
Duke University
April 21, 2023
Scenes from A.L.I.C.E.
Director, David Heid
Pianist, Daniel Seyfried
Duke University Vocal Students

